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  • Taylor Swift, the Degenerate? (J-11)
  • Technicolor Womanhood (A-09)
  • Tennyson: A Grieving Guide for Modernity (F-05)
  • Thankful (F-11)
  • The Abandoned Years Collection (C-09)
  • The Acts of Our Lives: Theater in Little Women (A-05)
  • The Aesthetic Philosophy of Anna Karenina (B-02)
  • The Apprentice Clockmaker (G-12)
  • The Artist Performs an Exorcism (G-11)
  • The Awakening: How to Fall in Love with Yourself (E-04)
  • The Backyard (E-08)
  • The Balcony/A Fortnight of Love (I-12)
  • The Battle (F-12)
  • The Bed Trick: An Exploration of Consent (A-03)
  • The Cast (F-12)
  • The Colors of Still Water Lake (H-13)
  • The Creation of Monsters through Fear (B-07)
  • The Cycle (G-10)
  • The Diner (I-12)
  • The Distorted Woman and the Power of Men (C-07)
  • The Dregs of the Docks (H-04)
  • The Dynamics of Distorted Identity in Arabian Jazz (I-01)
  • The Eternal Romantic: Wordsworth & Smith (C-04)
  • The Fine Purple Line (C-09)
  • The Flawed Feminism of Haynes' A Thousand Ships (J-04)
  • The Foundation for a Home via Father and Flooring (G-01)
  • The Four Humours in The Duchess of Malfi (J-02)
  • The Function of Community and Isolation in Zami (C-03)
  • The Gamble (J-09)
  • The Gardener (H-11)
  • The God of Kampong Cham (A-11)
  • The Golden Child Speaks (G-10)
  • The Hand of Hell (A-12)
  • The Hawksmoor Churches: Psychogeography and Power (H-04)
  • The History of Women: A Story Written By a Man (C-04)
  • The Importance of Reading in Jane Austen’s Novels (I-02)
  • The Innovative Musical Stylings of Langston Hughes (I-06)
  • The Lonely Londoners: Caribbean Colloquialisms (G-04)
  • The Male Gaze and “The Whitest Girl” (I-08)
  • The Mater Knows Best: Norms in "The Other Boat" (J-04)
  • The Men I Do Love, The Women I Love More (C-09)
  • The Metamorphosis: Madness Becomes Him (I-04)
  • The Modern Fallen Woman in The Virgin Suicides (E-02)
  • The Muppet Show Sex and Violence: Staging Fozzeck (I-01)
  • The Not-So-Great-Gatsby (A-06)
  • The Nullification of Gender in Richard II (J-03)
  • The Objectification of Egypt Herself (J-03)
  • The Profound Deaths (C-12)
  • The Proper Lady vs. the Women in Sula (E-07)
  • The Quietest Battles (G-10)
  • The Racialized Identity of the Wolf-Girl (J-07)
  • The Radiation Runner (H-10)
  • The Sailor and His Ship (F-12)
  • The Show Must Go On: Artifice in The Farewell (I-07)
  • The Shower (H-13)
  • The Sign (I-11)
  • The Southern Baptist Church of Yates (F-13)
  • The Steelhead (I-12)
  • The Story of Doomed Love (E-04)
  • The Technology Cult of Utopia in Zamyatin’s We (G-02)
  • The Thing about Soulmates (A-13)
  • The Threat of Inflammatory Fake News (F-03)
  • The Tile (A-10)
  • The Tradition of Voices (A-09)
  • The Truth about Ambrosia (C-12)
  • The Unexpected Feminist: Meg March in Little Women (G-03)
  • The Use of Witches in Toni Morrison’s Novels (A-08)
  • The Wanderer (F-13)
  • The World beyond the Web (A-08)
  • There Are Reasons to Forget the Womb (G-09)
  • This Womanhood (I-09)
  • Those Summer Days (G-10)
  • Time and Identity in Beloved by Toni Morrison (J-08)
  • Time Passes through Me (F-13)
  • Time Will Tell (F-11)
  • To Build a Fire: The Arrogance of Man (A-06)
  • To Defend the Indefensible (B-01)
  • To Paris (C-13)
  • To Save a Life (B-11)
  • Toni Morrison's Sula: Solace in Sisterhood (E-07)
  • Tornado Weather (H-13)
  • Traditional Publishing for Fiction (WS-05)
  • Tragic Humor: The Imbalance of Humors in King Lear (H-03)
  • Trans [Re]incarnation—[Re]born to This Body (I-09)
  • Transitioning, Quietly (I-09)
  • Trauma: An Informant of the Fantasy Genre (A-02)
  • True Womanhood's Purity in Harriet Jacobs' Story (G-06)
  • Twoness in Page’s Study of Caribbean Diasporic Lit (F-03)